David Harfield

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Archive for July, 2009

Acoustic-synth troubadour gives Inspiral Carpets’ ballad of despair a re-furnishing.

Posted by davidharfield on July 31, 2009

Nigel Of BermondseyThis Is How It Feels


Mention the name ‘Inspiral Carpets’ to the majority of Britain’s population and they will either tell you that it is a household furnishings business that has recently gone into administration or mumble something about, “the band that Noel Gallagher was a roadie for before he became Oasis…?”  The latter would be correct, as Inspiral Carpets were indeed the pre-Britpop indie band that offered the elder Gallagher a taste of the rock and roll lifestyle that he would later gorge upon by allowing him to set up their equipment before gigs.

In addition to having one of the most famous British singer-songwriters of the last two decades as a dogsbody, they also managed to write a few songs that have stood the test of time, including ‘This Is How It Feels’.  A synth-drenched melancholic tale of the kitchen sink variety, the song’s morbid refrain of, “Husband don’t know what he’s done, kids don’t know what’s wrong with mum” encapsulated the mood of Thatcher’s council estate Britain.

Seeing as the political state of the country seems to have come full circle since the band’s 1990 heyday, with a visionary Prime Minister leaving their successor to pick up the pieces of their shattered economy, it only seems fitting for London based singer-songwriter Nigel Hoyle to cover Inspiral Carpets’s torch song.  The indie-pop song is given an acoustic makeover, with some sampled harmonies thrown in to the chorus and a genuinely innovative guitar solo inserted into the middle-eight.  More of a memory-jogger than an actual ‘make the song your own’ cover, NOB’s (unfortunate initials) version of ‘This Is How It Feels’ does the song justice and will easily fit into anyone’s ‘gentle acoustic 90′s revivalist pop’ playlist.

On the song’s B-side ‘Something’s On Fire’, Nigel drops the mockney or (mock-mondsey?!) accent to chant melodically over the gentle stabs of synthesiser and strummed acoustic guitar, in an innocuous paean to passed love.  The lyrics see a ‘burning’ analogy for love become slightly overdone, (ouch!) but a gentle production value allows the words to simply sail around the mix, becoming yet another pleasant sound in the calm maelstrom of music.

As anyone who has studied GCSE History will know that, ‘those who cannot learn from history are condemned to repeat it’; maybe after Brown does his ‘Major’ slot, the country will see a new upstart from the Labour party promise to make Britain cool again; doubtless NOB will be commissioned to render a piano version of ‘Cigarettes and Alcohol’, yet the real clincher will be whether Inspiral Carpets’ old roadie turns up to the opening party?

David Harfield

(http://www.roomthirteen.com/cgi-bin/cd_view.cgi?CDID=10156)


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Rise and shine to France’s kookiest export…dinga dong!

Posted by davidharfield on July 31, 2009

SliimyWake Up


There was a point in the indie scene a few years ago when credible bands covering chart acts was de rigeur; Arctic Monkeys did Girls Aloud, (and vice versa), Travis performed Britney’s ‘Baby..’ and pretty much anyone who was anyone offered versions of Rihanna’s ‘Umbrella’, with varying results, (Starsailor was a surprise entrant.)  It would appear that such sardonic imitation is still a quick and effective form of gaining public notoriety, as the youthful French self proclaimed ‘boy wonder’ Sliimy proved when he unleashed his acoustic guitar and xylophone assault on Britney Spears’ ‘Womaniser’, his delicate falsetto serenading over 160,000 You Tube fans and counting, including his number one follower, that cultivating svengali of young talent, Perez Hilton.

Now he has the virtual world in his palm, Sliimy has released his debut album ‘Paint Your Face’ which has scored big in the French iTunes chart.  To accompany the promotion of ‘Paint Your Face’,  a single has also been proffered, the infectious, sing along, bubble-gum pop anthem, ‘Wake Up’, complete with layered major-key harmonies, stutteringly bright vocals and an annoyingly catchy instrument in the background that sounds suspiciously like a ‘slide whistle’, a la ‘Groove Is In The Heart’.

The sheer weirdness of Sliimy’s whole mystique is part of his charm; with his velvet jackets, cravats and geek chic glasses, he comes across as a young Prince, ‘before he turned himself into a symbol’.  With the natural ebullience of Sliimy’s delivery, even the, “dinga dongs” that end each chorus don’t sound contrived, fitting aptly into a song that proclaims that, “I’m not Mr. Muscle but I can be loathsome and I can hustle you.”  As long as he doesn’t let Perez Hilton’s adulation go to his head, Sliimy should go far.

David Harfield

(http://www.roomthirteen.com/cgi-bin/cd_view.cgi?CDID=10158)

Posted in Single Reviews | Tagged: , , , , , , , | 1 Comment »

The worst song you’ll hear all summer…

Posted by davidharfield on July 31, 2009

Chasing LizGravity Girl


It’s finally happened.  We never thought it would but it has.  And now, we must reap the whirlwind.  The funny-voiced vocoder instrument that Daft Punk use to make all their songs sound so amazingly danceable has been stolen and is now being abused by an urban R&B band that go by the unlikely name of Chasing Liz.

The actual song itself sounds as if it is a re-working of a Craig David C-side, full of snappy hi-hats, programmed synthesisers and ‘question and answer’ harmonies, “I’m looking in your eyes/your pulling me closer”; at one point a backing vocalist appears, simply repeating, “hey, hey, hey hey”, as if he was requesting permission to visit the toilet.  As mentioned before, the lead vocal is drenched in wobbly vocoder, an effect that can at times produce shatteringly effective results, (see Bon Iver’s ‘Woods’, Red Hot Chilli Peppers’ ‘By the Way’, or Daft Punk’s entire back catalogue), yet here it simply conjures up memories of Victoria Beckham’s ill-judged pairing with ex-boy band botherer Dane Bowers on ‘Out Of Your Mind’.

For some reason, in addition to the lead single, Chasing Liz have included two more versions of ‘Gravity Girl’ as a little treat for their fan base, (which, one can only assume is made up of fourteen year old welfare mothers that meet behind KFC each school night and discuss which member of the band owes what alimony); the instrumental version which sounds like an experimental Blazin’ Squad and then there is the imaginatively labelled ‘Gravity Girl (Without Guitar)’.  Why?  Seriously, why?!

The single’s back cover claims that this song is set to be a soundtrack for the summer 2009; you have been warned.

David Harfield

(http://www.roomthirteen.com/cgi-bin/cd_view.cgi?CDID=10157)

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