David Harfield

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Archive for September, 2010

No dickheads allowed, Films of Colour rock The Bull and Gate

Posted by davidharfield on September 23, 2010

Films of Colour

The Bull and Gate, Kentish Town, London

20/09/10

Remember when Nathan Barley hit our screens a few years ago?  First thoughts were that the media and fashion scene of Shoreditch would implode in a fireball of self-aware irony and everybody would start wearing proper clothes and get proper jobs…well, it didn’t.  Far from it, the cult TV series managed to throw fuel on to the raging furnace of skinny jeans, tiny phones and even tinier bikes, showing everybody with an N1 postcode how to be, in Dan ‘Preacher’ Ashcroft’s words, ‘an idiot’.  The latest lampoon of East London culture comes from the cultural news website ‘The Poke’ in the form of a catchy song with an accompanying video entitled, ‘I Love My Life As a Dickhead’; anyone who has not seen it, prepare yourself by making a funeral pyre/shopping list for jeggings, retro necklaces and ‘just-the-frame’ glasses, sit back and enjoy/cry.

Anyway, the funniest line in it is when the song’s protagonist offers listeners a +1 to see his band, in which, “I play synth…we all play synth.”  (Trust me, it’s funny, OK?)  Well, after this blatant piss taking of the synth-band format, I was concerned that Films of Colour would cave under the pressure and choose another instrument to create the epic soundscapes that underlie their melodious pop-rock…(“we all play Kazoo?!”)  However, the boys did give into this fear and, flying in the face of cynics, the bassist exchanged his guitar for the keys and triggers provided by his synthesizer and laptop, giving the well crafted tunes a stadium-sized feel.

On stage the band exuded a confident swagger, showcasing a selection of their back catalogue for a crowd made up of other bands artists, journalists and music executives and, fortuitously, not a dickhead in sight.  They saved most of their energy for the final number, ‘Actions’, a glorious, hook-filled foot stomper complete which is to be released as a single over the coming weeks.  Of all the bands on the indie scene in East London, Films of Colour are amongst the cream of the crop, serious musicians who clearly put their heart and soul into what they do; so please buy their new single or they might be forced to sell out and get dickhead jobs in media!

David Harfield

To read the published review, click here.

To listen to Films of Colour, click here.

To watch the video, ‘I Love My Life As a Dickhead’, click here.

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Kiss goodbye to your free time, as ‘Orbital’ takes over your life!

Posted by davidharfield on September 15, 2010

You know how it goes. You’ve got five minutes to kill while you wait for a delayed tube, (depending on whether Bob Crow has gone all militant again…you

It may take you a while to realize why some orbs grow bigger than others…if you fire an orb into the centre of the screen, away from the walls and other orbs, it will be bigger and easier to destroy!

could be waiting a lot longer), and your hand slips to your iPhone. Unable to update your friends with a witty Facebook comment about your plans to commandeer a Boris bike and ‘go green our asses’, you need something to fill the internet-less void of the Underground. One word. Orbital.

Lots of iPhone Apps claim to be the ‘ultimate addiction’, a sort of digital heroin that no amount of Blackberry-induced cold turkey can cure you of, however, Orbital is the real deal. Set to a Kraftwerk-esque soundtrack, players are transported into the futuristic world of Orbital, where you are offered three choices, ‘Pure’, ‘Gravity’ and ‘Supernova’; while these may sound like something Liam Gallagher would use to describe his latest clothing line, they are actually the gaming modes in which you play.

It may take you a while to realize why some orbs grow bigger than others…if you fire an orb into the centre of the screen, away from the walls and other orbs, it will be bigger and easier to destroy!

The basic crux of Orbital is very simple. You control a swaying cannon that shoots out an ‘orb’ every time that you touch the screen; the orb then bounces around the screen leaving technicolour stars in its wake before it explodes somewhere in space, expanding until it hits another orb or a wall. You can destroy the orbs by firing other orbs directly into them, but woe betide you if you cross the imaginatively named ‘death line’ at the bottom of the screen, as your game will implode before your very eyes. Each gaming mode offers different tweaks to the original (‘Pure’) format, and you have the option to play your friend in multiplayer mode or go online and challenge other Orbital fanatics. Ok, so it’s a little more complicated than, say, Minesweeper, but a hell of a lot more fun.

To summarize, think pinball meets Space Invaders, with a Daft Punk voiceover. All of a sudden you will feel a greater sense of understanding for tube strikes.

David Harfield

To read the published review or purchase Orbital, click here.

Posted in iPhone App Reviews | Tagged: , , , , , , , , , , , | Leave a Comment »

Recession busting App ‘Capital Eats’ saves food-loving Londoners a hefty bill!

Posted by davidharfield on September 15, 2010

I know what you’re thinking: £7.99 for an iPhone App?!  Don’t you know that the country is in a deep state of economic crisis and that is more than most

Be wary about dining on the weekend; many restaurants only offer the discount from Monday to Thursday. Also, for a limited time only, ‘Capital Eats’ is offering a free ‘taster’, which is a 30% version of the original App…something to whet your appetite!

people spend on their daily food intake?!  Well, before you start grumbling about yuppie media types with more money than sense, take a second to read about an App that will actually save you huge amounts of money in the future.

That’s right, the heavy price tag on ‘Capital Eats’ actually serves as an investment, one that you can make back when you first use the App.  If you live in or around London, chances are that you are going to want to sample the many culinary delights that its bars and restaurants have to offer.  However, the menu prices are often on the high side and this can put many people off the pleasure of dining out, (yes, yes, especially in a recession!)

‘Capital Eats’ provides restaurant-goers the chance to never again pay full price for a meal in London, with customers’ iPhone’s acting as a digital voucher for hundreds of bars and restaurants.  It uses Google Maps to show directions to your nearest participating restaurant, with a description of each venue, a price guide and previous customers’ reviews and comments, offering you other’s experiences and opinions of the food and ambience before you go.

The discounts often range from 30-50% off the food bill, for parties of up to 6 people per iPhone.  This allows canny customers to dine out at cheaper eateries on a shoestring budget, or the more extravagant diners to enjoy some of the higher priced restaurants that London has to offer at a cut-price rate.  A perfect way to wipe away those recession blues with a full stomach…not to mention a fuller wallet!

David Harfield

To read the published review or purchase Capital Eats, click here.

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Children of the 90’s unite! ‘Streets of Rage’ is back in miniature form!

Posted by davidharfield on September 15, 2010

Has completing ‘Angry Birds’ left a fun-shaped whole in your life?  Do you yearn for the bone crunching, blood spilling rush of fighting bad guys while on the

By toggling the screen setting in ‘Menu’, you can choose from either a full screen setting, or a shrunken screen, allowing better game play as you can focus on the characters more than your thumbs!

commute to work?  Well, look no further as SEGA have released the pinnacle of all hit-em-up games, ‘Streets of Rage’, for all of those twenty and thirty somethings to relive those joyous, childhood hours sat in front of the computer screen…and this time there’s no one shouting at you to do your homework!

That’s right, now you can join Adam, Axel and Blaze on their quest to rid the streets of wrongdoers using any means at their disposal; you can fight ninjas, street hoods, knife juggling carnies and fire-breathing fat men, using punches, high kicks, grapples, and a wide array of weapons and if it all gets a little too much, tap the A-button to call for police back up in the form of a handy flamethrower.

The game play is fantastic, with the helpful option of shrinking the screen, so as not to obscure your view of the action with your lightening-quick thumbs, and, just like the original, it is nearly impossible to complete!  Each level ends with a ‘boss’ to eliminate and they get progressively harder as the game goes on.  The real fun lies in selecting your character each time you start a new game, seeing as each of them has different pros and cons that make the same levels seem different.

A real hit for anybody looking to pass the time between meetings, classes or long journeys, ‘Streets of Rage’ is an affordable and safer alternative to becoming a street walking vigilante.

David Harfield

To read the published review or purchase Streets of Rage, click here.

Posted in iPhone App Reviews | Tagged: , , , , , , , , | Leave a Comment »

Total Movement

Posted by davidharfield on September 12, 2010

Amidst the recent flurry of electro-pop bands that have appeared on the scene over the last few years, there shines a beacon of hope for any music fan who yearns for the days when dance music was all about having a good time, all of the time.  Total Movement’s iconic front man and songwriter-in-chief Paul Mansford croons his vocoder-laced vocal lines that sail above the band’s pounding synths, syncopated drum patterns and stuttering guitar riffs as the perfectly crafted tunes fill your ears with the kind of frenzied, electric energy that will see any party through to the end.

Unafraid of referencing both pop superstars and dance heroes within the same song, the engaging melodies are delivered with an industrial punch, as the slick production highlights the sheer talent simmering within Paul’s balanced falsettos that float over the thudding bass lines, which are provided with unique style courtesy of his twin brother Alan.  With a nod to their rock roots, Total Movement’s latest EP ‘You Got Style’ captures the band in full foot-stomping form as they channel their delicate harmonies around complex rock arrangements, guaranteed to have you dancing by the end of the first song.

Situated in London, Total Movement have already made a name for themselves in the capital’s electro-rock scene, scoring a support slot with dance giants Orbital where their innovative use of drum triggers and samples create the widescreen electronica soundscape that is the ideal platform for their canyon-sized songs.  With their latest single ‘Show Them What You’re Made Of’ being signed to German Clubland label ‘Sound of Now’, it seems like it’s only a matter of time until these boys are showcasing their music on a worldwide scale.  For any true music lover that wants to hear a band at the top of their game, teetering on the brink of the big time, take this opportunity to discover Total Movement before the rest of the world catches up with you.

David Harfield

To listen to Total Movement, click here.

Posted in Artist Biographies | Tagged: , , , , , , , , , | Leave a Comment »

Out to make a big impression, L.E.D. kisses goodbye to the summer in style.

Posted by davidharfield on September 10, 2010

L.E.D. Saturday Overview

Victoria Park, London, 28/08/10

It’s August bank holiday.  What better way could there possibly be to rejoice amongst the dying embers of summer by shaking your limbs to throbbing pulse of electronic music, played by some of the most revered artists in the world?!  The birth of the London Electronic Dance festival saw an eclectic group of thrill-seekers descend on Victoria Park on Saturday 28th August.  Some guests were there purely for the canyon-sized headliners, whilst other revelers looking for a way to kiss goodbye to the London summer; admittedly, some punters had probably turned up on hearing that as the festival hadn’t sold out, tickets were being sold on a two-for-one deal….oh well, you can’t win them all.

Whatever your reason for going, if you were lucky enough to attend Saturday’s L.E.D., there is little doubt that you had a good time; from Annie Mac banging out a set of crowd pleasing classics to Friendly Fires’ Mick Jagger-shaming dance moves, to Aphex Twin’s blisteringly innovative hour and a half long closer, nobody was going home feeling short-changed.  However, what was truly amazing is how far away from London the festival felt, despite being situated practically within the heart of the capital city.  Victoria Park had been transformed into a veritable fairground of sorts, with the Waltzers spinning wide-eyed ravers to the strains of electronic music emanating from the nearby Main Stage, whilst the rest of the crowd spilled out amongst the various face-painting stalls and ice-cream vans, clutching cans of cider against their newly acquired Day-Glo stripes.

There were points at which the organization of the festival left a little to be desired, with certain clashes between artists that meant that it was impossible to watch a whole set on one of the stages without missing the beginning of another artist on the alternative stage; however, this being their first year, the organizers deserve to be cut a little slack; (anyone who can feature Shy FX, Goldfrapp and a merry-go-round on the same bill and still maintain credibility deserves a hearty pat on the back.)  The main acts were interspersed by VIPs and guest entertainment, with our very own Clash DJs providing fun and frivolity for a crowd that was only too keen to scream along to their favourite tunes.

As the night progressed, the more experienced acts whipped their crowds into a frenzy with a gloriously intricate light show offering a delicate interplay with Aphex Twin’s unrelenting wall of sound, the infamous ‘acid face’ projecting out over the crowd as two bunny-suited MCs bounced around on stage.  Not to be outdone, 90’s electronica giants had their own visually spectacular stage show to end the festival, with a silver-clad spaceman cutting otherworldly shapes as the crowd surged and swelled to the stomach-churning bass lines.

As it was its first attempt, the festival was clearly out to make a big impression and this is exactly what it achieved, with a carefully selected line up ranging from mainstream bands to the more hardcore of electronic artists; to produce a successful follow up next year, the organizers will have to pull something special out of the bag, however, judging from this year’s event, it seems that they are more than capable of doing this.  Whether L.E.D. becomes an annual institution remains to be seen, but one thing is for sure; on a Saturday in late August 2010, several thousand Londoners were transported out of our big city, into a world of hedonistic release, rose-tinted melodic memories and Proustian rushes of musical times gone by…oh yeah, and merry-go-rounds.

David Harfield

To read the published review, click here.

Posted in Festival Features | Tagged: , , , , , , , , , , | Leave a Comment »

 
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